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UPDATED EDITION: Carlo Alfredo Piatti—Capriccio n° 7 op. 25 for Cello and Piano
This article is an expanded version of the Editorial Notes that can be found in the published edition, available at this link. Here’s a promotional video: This edition was first published in 2018, and it bears n° 3 in my catalogue. After publishing edition n° 40, Dotzauer’s Russian Air with 20 variations, few days ago,…
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Dotzauer Project: announcing the “Russian Air with 20 Variations” for cello, op. 32
This article is an expanded version of the Editorial Notes that can be found in the published edition, available at this link. A promotional video of this score can be watched here. EDITORIAL NOTES The Dotzauer Project just concluded its first phase at the end of 2022 with the successful publication of the five books…
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2022: a publishing-year in review (Episode 2)
Let’s continue the journey started in the previous article. Here is the second half of 2022 in review. July 9. Piatti, La Corsa (The Race), for cello and piano New month, and a new virtuoso piece by Piatti. This was written to celebrate the composer’s recovery from illness and surgery. He wrote this alongside Pioggia…
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2022: a publishing-year in review (Episode 1)
At the beginning of 2022 I realised that if I wanted this publishing business to become anything more than a free-time pastime, I had to do change course, and decisively. I therefore resolved to challenge myself: I was to publish at least twelve editions in 2022, that is, one per month. If I failed, I…
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Genesis of a Cover (Episode 3)
In the last two episodes (#1, #2) I walked you through the journey of creating the cover for my musical editions. We looked at variations on a linear concept in Episode 1, and at an evolution of geometrical shapes in Episode 2. Today, we are reaching our goal, with a dramatic shift in direction. Let’s…
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Genesis of a Cover (Episode 2)
In the previous episode, we analysed the first six design trials that brought to the genesis of the new cover for my editions. All of them were based on one or more lines positioned on the spread (that’s how we call two pages of an open book, for the non-initiated). Seeing how this design was…
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