Bentornati!
[Nella scorsa puntata](https://artisticscoreengraving.com/2024/05/31/dalle-sabbie-del-tempo/) abbiamo affrontato le evidenze storiche dietro la trama dell’opera “Zarqa Al-Yamama”, composta dall’australiano Lee **Bradshaw.** Oggi ci inoltreremo nel processo che ha permesso alla storia di diventare un libretto, ed al libretto di trasformarsi in un’opera.
Welcome back!
[Last time](https://artisticscoreengraving.com/2024/05/31/from-the-sands-of-time/), we looked at the historical evidence behind the story of the opera Zarqa Al-Yamama, scored by Australian composer Lee **Bradshaw.** Today, we are going to look at how the story became a libretto, and at how the libretto became an opera.
More cellos is always fun! Announcing the updated edition of the “Cello Orchestral Companion to the Suzuki Violin School – Book 2” In schools using the Suzuki Method it is usual to perform music taken from the children’s repertoire books with the orchestra. The main problem with this approach is that, being violinists usually manyContinue reading “ARRANGEMENTS – EP. 5”
an Artistic Score Engraving update from June 2024 Dear all, Welcome back to the monthly update. I don’t know about you, but I just cannot believe it is already June. Things are just moving too fast. NEWS It’s always the same… Ever since I have been teaching to kids (aged 3-18), there has been aContinue reading “The Lovely Month of May”
Il debutto della prima opera del Regno dell’Arabia Saudita ha avuto luogo il 25 aprile 2024 nella sua capitale Riad, al Centro Culturale Re Fahd. In qualità di copista e grafico editoriale del compositore dell’opera, Lee **Bradshaw**—potete leggere la sua intervista [qui]—, ho avuto l’onore di essere testimone dell’ultima settimana di prove e preparazioni, e della prima esibizione pubblica.
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