System Settings — Part 6 Appearance Page Welcome back! Last time we completed the analysis of the General Page of System Settings. Today, we delve deep into the Appearance Page. When you first access it, here is what it looks like: It is divided into two main sections, one dedicated exclusively to the aesthetic outlookContinue reading “My upgrading path to Apple Silicon — Part 12”
Author Archives: Michele Galvagno
Sibelius Bugs and how to survive them!
Episode 2: Drunken Tuplets Hello there, and welcome back to the Sibelius Bugs and how to survive them! series. It’s been a long time since the last episode, so let’s get started. I have a whole series on tuplets in Sibelius and in Dorico, and I suggest you read it to get acquainted with today’sContinue reading “Sibelius Bugs and how to survive them!”
Tomato Sauce!
An Artistic Score Engraving update from August 2024 Dear all, Welcome back to the monthly update. I hope you are all well and that you are enjoying the summer (or winter), wherever you are. The original title of this instalment had to be “The Root of the Problem” because I wanted to connect a reflectionContinue reading “Tomato Sauce!”
Dotzauer Project – Episode 11:
announcing the “Pot-Pourri” for cello and guitar, Op. 21 This article is an expanded version of the Editorial Notes that can be found in the published edition, available at this link. A promotional video of this score can be watched here. EDITORIAL NOTES For the second episode of Phase 2 of the Dotzauer Project, dedicatedContinue reading “Dotzauer Project – Episode 11:”
L’Amore Trionferà
Bentornati!
[La volta scorsa](https://artisticscoreengraving.com/2024/06/22/la-storia-va-in-scena/) abbiamo analizzato a fondo come la storia sia diventata un libretto e come il libretto si sia trasformato in un’opera. Abbiamo incontrato i protagonisti della storia e passato in rassegna la sinossi dell’intera opera.
Oggi esamineremo la sua musica, scena per scena, descrivendo ciò che si può percepire all’ascolto e come questo sia collegato al dramma che si svolge sul palco.
