Bentornati!
[La volta scorsa](https://artisticscoreengraving.com/2024/06/22/la-storia-va-in-scena/) abbiamo analizzato a fondo come la storia sia diventata un libretto e come il libretto si sia trasformato in un’opera. Abbiamo incontrato i protagonisti della storia e passato in rassegna la sinossi dell’intera opera.
Oggi esamineremo la sua musica, scena per scena, descrivendo ciò che si può percepire all’ascolto e come questo sia collegato al dramma che si svolge sul palco.
an Artistic Score Engraving update from July 2024 Dear all, Welcome back to the monthly update. Here in Italy, summer has just arrived, leaving behind a rainy Spring. This instalment will be very brief: only one edition was published, and May was a very busy month. Besides, I’ve been running this series of newsletters forContinue reading “Knock, knock!?”
Welcome back!
[Last time](https://artisticscoreengraving.com/2024/06/15/staging-history/), we analysed in depth how the story became a libretto and how the libretto became an opera. We encountered the characters of the story and went through the synopsis of the whole opera.
Today, we will analyse its music, going scene by scene to describe what you hear and how this may be connected to the drama unfolding on the stage.
Brace up, we’re going to start!
Bentornati!
[Nella scorsa puntata](https://artisticscoreengraving.com/2024/05/31/dalle-sabbie-del-tempo/) abbiamo affrontato le evidenze storiche dietro la trama dell’opera “Zarqa Al-Yamama”, composta dall’australiano Lee **Bradshaw.** Oggi ci inoltreremo nel processo che ha permesso alla storia di diventare un libretto, ed al libretto di trasformarsi in un’opera.
Welcome back!
[Last time](https://artisticscoreengraving.com/2024/05/31/from-the-sands-of-time/), we looked at the historical evidence behind the story of the opera Zarqa Al-Yamama, scored by Australian composer Lee **Bradshaw.** Today, we are going to look at how the story became a libretto, and at how the libretto became an opera.
Music Preparation Services 