Tomato Sauce!

An Artistic Score Engraving update from August 2024 Dear all, Welcome back to the monthly update. I hope you are all well and that you are enjoying the summer (or winter), wherever you are. The original title of this instalment had to be “The Root of the Problem” because I wanted to connect a reflectionContinue reading “Tomato Sauce!”

Artistic Score Engraving — November 2022 Newsletter

Intro Dear all, Welcome to the November 2022 edition of the Artistic Score Engraving newsletter. This month has just flown away, with so many things happening. On the 16th of October, my birthday passed, so the two middle weeks of the month were stressful because of how I had to celebrate with the parts ofContinue reading “Artistic Score Engraving — November 2022 Newsletter”

Artistic Score Engraving — October 2022 Newsletter

Intro Deal all, Welcome to the October 2022 edition of the Artistic Score Engraving newsletter. It has been a turbulent month, coming back from Serbia, settling down, organising the new school year, and so much more. In short, I am nauseated by how things are going on here. You all know how we, in Italy,Continue reading “Artistic Score Engraving — October 2022 Newsletter”

Artistic Score Engraving — July 2022 Newsletter

Dear all, Welcome to the July 2022 edition of the Artistic Score Engraving newsletter. I hope you are surviving this scorching summer in the austral hemisphere or enjoying a cool winter in the boreal one! I am having a hard time doing anything when it becomes hot, in general, but this year, starting from theContinue reading “Artistic Score Engraving — July 2022 Newsletter”

Learning the C Programming Language as a Classical Musician [18]

Episode 18 — Types (Part 10: Function types) Welcome back! Today we are scratching the surface of one of the greatest subjects in programming: functions! My goal in this episode will be to try to keep this concise and, at the same time, interesting and helpful to read. Let’s dive right in! Function types ItContinue reading “Learning the C Programming Language as a Classical Musician [18]”