Bentornati!
[Nella scorsa puntata](https://artisticscoreengraving.com/2024/05/31/dalle-sabbie-del-tempo/) abbiamo affrontato le evidenze storiche dietro la trama dell’opera “Zarqa Al-Yamama”, composta dall’australiano Lee **Bradshaw.** Oggi ci inoltreremo nel processo che ha permesso alla storia di diventare un libretto, ed al libretto di trasformarsi in un’opera.
Welcome back!
[Last time](https://artisticscoreengraving.com/2024/05/31/from-the-sands-of-time/), we looked at the historical evidence behind the story of the opera Zarqa Al-Yamama, scored by Australian composer Lee **Bradshaw.** Today, we are going to look at how the story became a libretto, and at how the libretto became an opera.
Il debutto della prima opera del Regno dell’Arabia Saudita ha avuto luogo il 25 aprile 2024 nella sua capitale Riad, al Centro Culturale Re Fahd. In qualità di copista e grafico editoriale del compositore dell’opera, Lee **Bradshaw**—potete leggere la sua intervista [qui]—, ho avuto l’onore di essere testimone dell’ultima settimana di prove e preparazioni, e della prima esibizione pubblica.
The premiere of the first opera of the Kingdom of Saudi Arabia was given on April 25th, 2024, in its capital Riyadh, at the King Fahd Cultural Centre. As engraver and score designer of the opera’s composer, Lee **Bradshaw**—read his interview [here]—, I had the honour to witness the last week of preparation and rehearsal, and the premiere itself.
This trio of articles will cover the following topics:
an Artistic Score Engraving update from May 2024 Dear all, Welcome back to the monthly update. I hope you are well and that music, love, and compassion are with you, wherever you are. NEWS A whole new world I have just returned from a week-long trip in Riyadh, Saudi Arabia, where I witnessed the premiereContinue reading “Gratitude and Respect”
Music Preparation Services 