Last week, we completed all that is needed to know about setting up your opera score’s staves. Today, we delve deep into instrument-specific conventions that may be unique to opera, but may also apply to other big symphonic contexts. Let’s get started.
Author Archives: Michele Galvagno
An Italian cellist’s journey into Serbian Language — Lesson 4
Introduction chapter — Practice time Welcome back! Every time we complete a chapter, we will go through some of the most relevant exercises found in the book, analysing with special care the mistakes I made and what the thought process should have been in that case. Audio exercises In these exercises, one needs to listenContinue reading “An Italian cellist’s journey into Serbian Language — Lesson 4”
How to engrave an Opera (in Sibelius) – Ep. 5
Now that we have our full score set up, we can move forward and dive deep into what _notational conventions_ should be respected when engraving an opera.
Making Progress
Dear all,
Welcome to the second update for _Summer 2023,_ this time live from Belgrade, Serbia! Before moving on with the news, I would like to offer my public apology to the several thousands of people who watched the excerpt of
An Italian cellist’s journey into Serbian Language — Lesson 3
In [Lesson 1], the lesson ended with a personally composed rhythm to memorise the order of letters of the Cyrillic alphabet. A few days later, I discovered a song that Serbian kids have been using for the last 30 years at least.
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