Welcome back! Today we continue our journey through the notational conventions that allow you to properly engrave an opera, specifically focused on doing this in Sibelius.
Author Archives: Michele Galvagno
An Italian cellist’s journey into Serbian Language — Lesson 5
Before delving deep into the next chapter, I would like to share my recent first-hand experience with the differences between _ekavski_ and _ijekavski._
How to engrave an Opera (in Sibelius) – Ep. 6
Last week, we completed all that is needed to know about setting up your opera score’s staves. Today, we delve deep into instrument-specific conventions that may be unique to opera, but may also apply to other big symphonic contexts. Let’s get started.
An Italian cellist’s journey into Serbian Language — Lesson 4
Introduction chapter — Practice time Welcome back! Every time we complete a chapter, we will go through some of the most relevant exercises found in the book, analysing with special care the mistakes I made and what the thought process should have been in that case. Audio exercises In these exercises, one needs to listenContinue reading “An Italian cellist’s journey into Serbian Language — Lesson 4”
How to engrave an Opera (in Sibelius) – Ep. 5
Now that we have our full score set up, we can move forward and dive deep into what _notational conventions_ should be respected when engraving an opera.
