Recensione della nuova funzione di Revisione all’interno di Dorico 6 Questo articolo è una trascrizione ampliata, parafrasata e arricchita dell’eccellente video di Anthony Hughes. Andate a guardarlo, poi tornate per un riassunto, o seguite qui mentre lo guardate. Introduzione Sin dal suo lancio, era chiaro come Dorico aspirasse a essere più di un semplice softwareContinue reading “Un valido alleato!”
Author Archives: Michele Galvagno
An enthusiastic helping hand
A review of Dorico 6’s new Proofreading feature This article is an expanded, paraphrased and enriched transcription of the excellent video by Anthony Hughes. Go watch it, then come back for a recap, or follow along while watching. Introduction Ever since Dorico was introduced, it was clear that it aimed to be more than justContinue reading “An enthusiastic helping hand”
Ora possiamo iniziare a parlare!
Una recensione preliminare di Dorico 6 Ciao a tutti e bentornati sul blog. Se siete copisti, arrangiatori, compositori o lavorate con la notazione musicale in generale, queste ultime settimane sono state incredibilmente emozionanti. Dopo quella che sembrava un’eternità1, il 30 aprile 2025 Steinberg ha finalmente rilasciato il nuovo e scintillante aggiornamento del suo software diContinue reading “Ora possiamo iniziare a parlare!”
Now we can start talking!
A Dorico 6 Review Hello everyone and welcome back to the blog. If you are a music engraver, an arranger, a composer, or someone working with music notation, these last couple of weeks have been incredibly exciting. After what looked like an eternity1, Steinberg has, on April 30th, 2025, finally released the new, latest, shinyContinue reading “Now we can start talking!”
New Horizons
Today, I had the chance to sit down and chat with Melbourne-based composer Lee **Bradshaw.** Exactly on this day, one year ago (2024), the premiere of his first opera—which I had the honour of engraving—took place. It was not just “another opera”, rather the first grand-opera of the Kingdom of Saudi Arabia, titled _Zarqa Al-Yamama,_ a 90-min, two-acts masterpiece entirely sung in Arabic language.
To celebrate this historic anniversary, I felt it appropriate to catch-up with Lee on his multiple open fronts (definitely a kindred soul in this!).
Grab a drink, sit back, relax, and enjoy the ride!
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