Welcome back!
Today’s episode will be a practical one, where we will take our Sibelius template and build the front matter to our best. Please note that, since we chose to divide the acts of the opera into as many Sibelius documents, we will have front matter pages only in the first act file.
We are approaching the end of this series. Now that you have written your opera’s music (notes, lyrics, etc…), cast the music off, laid out pages, _accurately proofread it_ (you did this, right?), you are ready for the last step: building the final book.
Welcome back again!
Today we conclude our journey through the notational conventions that allow you to properly engrave an opera, specifically focused on doing this in Sibelius.
Welcome back! Today we continue our journey through the notational conventions that allow you to properly engrave an opera, specifically focused on doing this in Sibelius.
Last week, we completed all that is needed to know about setting up your opera score’s staves. Today, we delve deep into instrument-specific conventions that may be unique to opera, but may also apply to other big symphonic contexts. Let’s get started.
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