Dear all,
Welcome to the first update for _Fall 2023,_ live from Italy, where we came back to at the end of September.
I apologise for not sending updates during September and October, but after the events of the beginning of July, I didn’t feel the usual drive to write.
What follows is an extract from M° Fabrizio **Capitanio**’s notes at the beginning of this edition. Find the full edition [here] and watch the [promo video here].
This is the first edition of a new series dedicated to the city of Bergamo, Italy. It takes its name from the popular dance from the Renaissance period of the same name, _La Bergamasque!_
Welcome back! Today we look at how to create the _vocal score_ for your opera. Without further ado, le’s get started!
This article is an expanded version of the Editorial Notes that can be found in the published edition, available at this link. A promotional video of this score can be watched here. EDITORIAL NOTES When one merely whispers the name “Dotzauer”, one immediately thinks of the cello, of his loved-hated studies, and more. It isContinue reading “Dotzauer Project – Episode 8: announcing the Six Waltzes for piano four-hands, Op. 17”
This article is an expanded version of the Editorial Notes that can be found in the published edition, available at this link. A promotional video can be watched here below: EDITORIAL NOTES Cossmann … a name whose sheer sound inspires fear and respect in the heart of every cellist. At the same time, his nameContinue reading “NEW EDITION: Bernhard Cossmann – Mélodie Suisse and Canzonetta Napolitana for cello and piano, Op. 1”
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