Phonetic transformations (Part 9) Welcome back to a new Serbian language lesson. Today we finally complete our journey into phonetic transformations! The next step after this will be to go back, revise what done until now, and face the exercise chapter at the end of this unit. In the seminal book Gramatika srpskog jezika byContinue reading “An Italian cellist’s journey into Serbian Language — Lesson 19”
Author Archives: Michele Galvagno
An Italian cellist upgrading path to Apple Silicon — Part 16
System Settings — Part 10 Welcome back! Last time we ventured yet deeper into the Accessibility Page of System Settings, completing the Hearing section. Today, we are continuing our journey with the Motor section, which contains four pages: Voice Control, Keyboard, Pointer Control and Switch Control. Today we will look at the first two ofContinue reading “An Italian cellist upgrading path to Apple Silicon — Part 16”
The Holy Crusade
This post is a continuation of my December newsletter which was becoming too long and dense to ever hope it would get read. I am also considering the option of splitting my updates from monthly to weekly so that they are both more frequent and easier to read. What do you think? Anyway, let’s getContinue reading “The Holy Crusade”
Piatti Opera Omnia — Episode 4
announcing the Quartettino “In Vacanza” for four cellos This article is an expanded version of the Editorial Notes that can be found in the published edition, available digitally here, and as a physical book here. A scrolling-score video of this piece can be watched here. Editorial Notes Carlo Alfredo Piatti (Bergamo, 1822 — Crocette diContinue reading “Piatti Opera Omnia — Episode 4”
Ode to the Brave Ones!
An Artistic Score Engraving update from December 2024 Dear all, Welcome back to the monthly update, the last one from 2024. It has been a wild year for me so far, with plenty of ups and downs, and unexpected turnarounds. How has this year been for you, both musically and otherwise? I used to jokeContinue reading “Ode to the Brave Ones!”
