There comes a time in a cellist’s life when they feel the primal call, the irresistible need to do something with Bach’s Suites. For me, that time is now! This edition is the first part of yet another gargantuan project, which I hope will develop into something useful for all cellists around me. We beginContinue reading “Piatti @200: announcing the piano accompaniment to Bach’s Suite 1”
Category Archives: Publishing
Dotzauer Project: announcing the Twelve Pieces for Two Cellos, op. 156
This article is an expanded version of the Editorial Notes that can be found in the published edition, available at this link. A promotional video can be watched here below: Foreword The fourth instalment of the Dotzauer Project brings us one step closer to completing its first cycle, the one encompassing the five volumes ofContinue reading “Dotzauer Project: announcing the Twelve Pieces for Two Cellos, op. 156”
Artistic Score Engraving — August 2022 Newsletter
Dear all, A warm welcome to this August 2022 edition of the Artistic Score Engraving newsletter from Belgrade, Serbia! I hope you are all having a great time wherever you are in the world and that you are ready for a snow-slide of musical news. We reached Belgrade on the 5th of July, with aContinue reading “Artistic Score Engraving — August 2022 Newsletter”
Dotzauer Project: announcing the Twelve Original Pieces for Two Cellos, Op. 52
This article is an expanded version of the Editorial Notes that can be found in the published edition, available at this link. EDITORIAL NOTES Foreword The Dotzauer complete republishing project continues with its third instalment, once more dedicated to his production for two cellos. So far, we have seen the Twelve Original Pieces, Op. 58,Continue reading “Dotzauer Project: announcing the Twelve Original Pieces for Two Cellos, Op. 52”
New Edition: Piatti “La Corsa” for cello and piano
Having the honour of curating the complete re-edition of Carlo Alfredo Piatti’s compositions (1822—1901) is, for a cellist, the dream of a lifetime. During the ordinary course of Italian academic studies, his Capriccios (op. 25) for solo cello occupy several years of study, while the benefits they bring to one’s virtuoso technique and expression neverContinue reading “New Edition: Piatti “La Corsa” for cello and piano”
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