Bentornati!
[La volta scorsa](https://artisticscoreengraving.com/2024/06/22/la-storia-va-in-scena/) abbiamo analizzato a fondo come la storia sia diventata un libretto e come il libretto si sia trasformato in un’opera. Abbiamo incontrato i protagonisti della storia e passato in rassegna la sinossi dell’intera opera.
Oggi esamineremo la sua musica, scena per scena, descrivendo ciò che si può percepire all’ascolto e come questo sia collegato al dramma che si svolge sul palco.
This article is an expanded version of the _Editorial Notes_ that can be found in the published edition, available here A recording of this piece where all eight parts are performed by Maestro Barreto can be watched here.
announcing J. S. Bach Suite IV with piano accompaniment This article is an expanded version of the Editorial Notes that can be found in the published edition, available at this link. A scrolling-score video of this piece follow here below: EDITORIAL NOTES The Six Suites for unaccompanied cello by Johann Sebastian Bach (1685—1750) are notContinue reading “Piatti Opera Omnia—Episode 2”
This article is an expanded version of the Editorial Notes that can be found in the published edition, available at this link. EDITORIAL NOTES There are authors in the music world who act like gravitation wells, like lost and faraway stars whose light seems to have all but disappeared from today’s skies. Back in 2009,Continue reading “NEW EDITION: Friedrich August Kummer – Huit Grandes Études for cello, op. 44”
This article is an expanded version of the Editorial Notes that can be found in the published edition, available at this link. A promotional video of this score can be here below: EDITORIAL NOTES Foreword The fifth instalment of the Dotzauer Project completes its first cycle dedicated to the five books of original pieces forContinue reading “Dotzauer Project: announcing the Twelve Original Piece for Two Cellos, op. 63”
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