Piatti Opera Omnia—Episode 2

announcing J. S. Bach Suite IV with piano accompaniment This article is an expanded version of the Editorial Notes that can be found in the published edition, available at this link. A scrolling-score video of this piece follow here below: EDITORIAL NOTES The Six Suites for unaccompanied cello by Johann Sebastian Bach (1685—1750) are notContinue reading “Piatti Opera Omnia—Episode 2”

Piatti Caprice 7, Op. 25, with piano acc.—available in physical copy!

This couple of articles will serve as an announcement of the long-awaited availability of two new editions as physical products. Today, I am proud to announce that Alfredo Piatti’s Seventh Caprice, with his own piano accompaniment, is finally available for purchase as a physical product. What’s more, is that it is available for worldwide shipping!Continue reading “Piatti Caprice 7, Op. 25, with piano acc.—available in physical copy!”

Artistic Score Engraving — February 2023 Newsletter

Introduction Dear all, It seems impossible, but the first month of this new year is already behind us. That said, welcome to the February 2023 edition of the Artistic Score Engraving newsletter. This is the first edition to be sent to more than 50 people! Thank you to all those who have faithfully followed meContinue reading “Artistic Score Engraving — February 2023 Newsletter”

UPDATED EDITION: Carlo Alfredo Piatti—Capriccio n° 7 op. 25 for Cello and Piano

This article is an expanded version of the Editorial Notes that can be found in the published edition, available at this link. Here’s a promotional video: This edition was first published in 2018, and it bears n° 3 in my catalogue. After publishing edition n° 40, Dotzauer’s Russian Air with 20 variations, few days ago,Continue reading “UPDATED EDITION: Carlo Alfredo Piatti—Capriccio n° 7 op. 25 for Cello and Piano”

2022: a publishing-year in review (Episode 2)

Let’s continue the journey started in the previous article. Here is the second half of 2022 in review. July 9. Piatti, La Corsa (The Race), for cello and piano New month, and a new virtuoso piece by Piatti. This was written to celebrate the composer’s recovery from illness and surgery. He wrote this alongside PioggiaContinue reading “2022: a publishing-year in review (Episode 2)”