Having the honour of curating the complete re-edition of Carlo Alfredo Piatti’s compositions (1822—1901) is, for a cellist, the dream of a lifetime. During the ordinary course of Italian academic studies, his Capriccios (op. 25) for solo cello occupy several years of study, while the benefits they bring to one’s virtuoso technique and expression neverContinue reading “New Edition: Piatti “La Corsa” for cello and piano”
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