This post is a continuation of my December newsletter which was becoming too long and dense to ever hope it would get read. I am also considering the option of splitting my updates from monthly to weekly so that they are both more frequent and easier to read. What do you think? Anyway, let’s getContinue reading “The Holy Crusade”
Category Archives: Music Notation
Piatti Opera Omnia — Episode 4
announcing the Quartettino “In Vacanza” for four cellos This article is an expanded version of the Editorial Notes that can be found in the published edition, available digitally here, and as a physical book here. A scrolling-score video of this piece can be watched here. Editorial Notes Carlo Alfredo Piatti (Bergamo, 1822 — Crocette diContinue reading “Piatti Opera Omnia — Episode 4”
Lezioni di Dorico — Episodio 4 (IT)
L’inserimento della musica tramite mouse o tastiera Questo articolo è una trascrizione ampliata, parafrasata e arricchita dell’eccellente video di Anthony Hughes. Andate a guardarlo, poi tornate per un riassunto, o seguite qui mentre lo guardate. Questo video copre sei aree principali: Scegliere la durata delle note da inserire Determinare le altezze e le alterazioni CancellareContinue reading “Lezioni di Dorico — Episodio 4 (IT)”
Dorico Tutorials — Episode 4 (EN)
Inputting Music Using the Mouse or Keyboard This article is an expanded, paraphrased and enriched transcription of the excellent video by Anthony Hughes. Go watch it, then come back for a recap, or follow along while watching. This video covers six main areas, which are: Choosing the duration of notes to input Determining pitches andContinue reading “Dorico Tutorials — Episode 4 (EN)”
Arrangements – Epp. 6-7
Fly on golden wings! Announcing the updated edition of the Va’ Pensiero by Giuseppe Verdi, arranged for Cello Ensemble The first public performance of the opera Nabucco, in 1842, marks the year when Giuseppe Verdi (Roncole, 1813—Milano, 1901) achieved the utmost success and recognition as an opera composer. The Va’, pensiero, specifically, taken from theContinue reading “Arrangements – Epp. 6-7”
